Tips

Creating a Professional Modeling Portfolio

I Want to Become a Model

That’s great, you want to be a model… If the following applies, it might be for you:

  • You enjoy being in front of the camera and having your photographs taken.
  • You love fashion, beauty and enjoy dressing up.
  • You’re outgoing and can turn on and off the energy and excitement in front of the camera.
  • You can take direction well.
  • You’re tall and in fairly good shape (yes, it’s a model stereotype but it’s true).
  • You’re self motivated and driven.

If you answered yes to all or most of these then you might be a good candidate for a modeling career. Whether fashion or glamour, male or female, children or adults, people still wonder about how to get started with a modeling career.  What do you need to get started? One of the first things you’ll need is a portfolio.  How do you create your modeling portfolio?  You might think the easy answer of putting 10-20 different photos of yourself into a portfolio book is all you need to do.  That would be the wrong approach.

When job hunting in the business word most spend hours of time crafting a perfect resume showing off job skills.  Your modeling portfolio should be crafted with the same amount of care and effort to show off your modeling skills to a potential client to cast you.  You want your modeling portfolio photos to be of professional quality and notable when you show them off.  The photos in your portfolio are probably one of the single most important steps you take besides self promotion in this industry.

 

Requirements for a Modeling Portfolio

There are a few things to consider when developing your modeling portfolio.  Your modeling portfolio is a photo album book with at least 10 photos and usually not more than 24 photos.  The traditional industry standard is 9”x12” size prints in your portfolio.  That size was made standard by the prints that were produced from medium format camera negatives.  If money is tight and it’s your first portfolio you could use 8”x10” prints to save money but at some point you will want to a larger size.

The photos you select for your portfolio should include various looks but still be within the styles you see yourself doing in the future.  For example, don’t have the majority of your photos of you in bathing suits if that’s not what you’re interested in modeling.  Your portfolio is really your character and how you want to be portrayed by others.  When they look at your images they try to place you as that character.  You should include a simple no frills head shot in good lighting towards the beginning of the portfolio.  Inside your portfolio should also include a full length body shot in slim fit clothing or minimal clothing also in good lighting along with a shoulder’s up shot with no makeup.  Now fill in the rest of your modeling portfolio with the other types of photographs you have selected.

Don’t forget.  More is not better!  A personal looking at your portfolio would rather see and be wowed by 8-12 great photos rather than 20-30 average photos.  If you are really mulling over a photo and are on the fence about including it then you are better off leaving it out of your portfolio. Speaking to a professional photographer or someone else in the profession such as an editor, agent or fellow model is a great way to get feedback on photos to include in a portfolio.  On that note, don’t bring 50+ photos and ask for help deciding which photos are the best.  Narrowing down your top picks and ranking them in the order from best to average before asking others for an opinion is a much better approach.

 

Modeling Portfolio Photo Session

Beginning models often have limited budgets and the costs of a model portfolio photographer may be a little more than expected but worth it if you are trying really trying to build a strong quality modeling portfolio. You should be able to hire a photographer anywhere between $300-900 for a dedicated personal portfolio session. In some larger cities such as LA and NYC you could spend well over $1,000 for a high end photographer for your modeling portfolio session.

Finding a Photographer

Finding a photographer for your first model session can be a little complicated.  There will always be many local portrait photographers and studios that are great a doing senior portraits, family photo and weddings but might not have that certain look you need for a modeling portfolio. The best thing to do is search for a photographer who has experience working with models and modeling portfolios.  Your best bet is to use Google and search for: model portfolio photographer [your major  city or state].  Another option is to use a modeling industry networking website such as Model Mayhem.

  • Ask for the price range for a modeling portfolio and what it includes, how many photos, etc.
  • Explain to the photographer the type of model photographs you require and ask if the ability to create them is available.
  • Ask about hair and makeup artists and who will provide them.  It’s either you or the photographer and there is no set rule on who provides.  I strongly suggest having a professional hair and makeup artist for your portfolio session.
  • Ask what clothing or items you should come prepared with on the day of the shoot.
  • Ask if photo retouching services are available and whether they are included in the original price quoted or an extra cost as required.
  • Ask how the final photos are delivered to you.  This can vary greatly among photographers but the typical methods are on disk, as prints or via the web.
  • Ask how long after the modeling portfolio shoot you should receive the prints or electronic images.
  • Ask about print releases and usage rights to the photos you receive.  Most photographers should allow reprint rights for your portfolio and promoting yourself as long as you are not selling the photograph and giving credit to the photographer.
  • Ask if the photographer will help you with selecting photographs for your modeling portfolio.

Summary

There are many things involved with creating a quality modeling portfolio for your modeling career.  I hope my perspective as a photographer, who works with models will help guide you into the future.

 

 

D-Link DAP 1350 Wireless N Pocket Router (L), New Trent IMP880 battery pack (R) both in front of an Apple iPad

Wireless Tether Your Camera to an iPad

As a photographer and iPad owner it seemed like the obvious route to take was to wirelessly tether my Nikon D300s with my iPad.  No longer would I have to preview my captures on a 3 inch screen located on the back of the camera. No longer would I be physically constrained to my laptop with a 14 foot USB cable.  The iPad could become a really useful part of my professional photography gear.

The Gear

To establish a wireless tethering system required some gear.   The items I used are:

I already had the camera and iPad so I only had to purchase the Eye-Fi card, wireless router and external battery pack.  The external battery pack is optional but in my mind the best system is one that can travel to any location and not have to worry about plugging into a wall for power.

I chose the Eye-Fi Pro X2 because it was the largest card and it could also transfer RAW files.  At the time I didn’t know if I would want to transfer RAW files so I wanted to leave my options open.  Since my Nikon D300s has two card slots I typically shoot with a 4GB CF card and a 16GB SDHC card for backups.  With this option I still change out my CF cards as they fill and the 8GB Eye-Fi card won’t fill up based on how I am now using it.  I’ll explain more about that later.

The D-Link 1350 Wireless N Pocket Router was chosen based the good reviews I read online and I wanted wireless 802.11 n rather than other options that were the older and slower wireless 802.11b/g.  Plus this “pocket” router really could fit in a pocket.

The New Trent external battery pack was something that actually took me a while to find.  The marketplace really doesn’t have many options for small, rechargeable, external battery packs.  Only time will tell how it holds up but based on what I was able to read online and it appears well built so I believe it will do very well.  The battery is lithium and it comes with various other adapters to plug into other electronics devices such as cell phones and iPads.  Size you ask?  It is larger than the D-Link pocket router but still a very small and portable size.

Making It All Work

I charged up the New Trent external battery which appeared to be near full when it arrived so it didn’t take very long to complete charging it full.  While the battery was charging I began configuring the D-Link Wireless N Pocket Router.  This might get a bit technical… I had to configure the router to be a DHCP server so it could hand out an IP address to the iPad and Eye-Fi card.  The best method is to assign a static IP address to each devise so everything can connect quicker because most devises will attempt to use the last IP address they had.  From what I can tell the Eye-Fi card requires a network that can assign IP address so setting up an ad-hock network via a laptop most likely will not work.

The Eye-Fi card needed to first be setup via a computer which was simple.  Install the software then plug in the card and setup the configurations.  I had the advantage of a good understanding of setting up wireless computer networks so I already knew how I was going to configure everything.  The Eye-Fi card can be setup to remember and multiple wireless networks so as you move from the field using the D-Link pocket router to a studio it will automatically switch to using the studio network if it is setup and wirelessly transfer to the studio computer.

The iPad needed a small App that I downloaded from the Apple Store.  The App I used is called ShutterSnitch and is the best way to establish the wireless transfer between the Eye-Fi card and the iPad because it has built in support for working with the Eye-Fi card.  With ShutterSnitch already supporting Eye-Fi cards it made setup really easy and self-explanatory.

With the Eye-Fi card installed in my Nikon D300s DSLR a new camera menu option become available to turn on or off the Eye-Fi wireless transfer.  Prior to using the Eye-Fi card I would use a 4GB CF card and a 16GB SDHC card.  I would shoot in RAW using the CF card as my primary that I would change out as needed and then the 16GB SDHC would be my backup for the entire time.  Now that I was using the Eye-Fi Card and transferring wirelessly I would have to modify my image file formats to make best use of the iPad and wireless transfer.  I kept the CF card as RAW files but changed the Eye-Fi card to receive JPEG format photos from the camera.  The big decision was what size JPEG’s would be big enough for a backup file and still small enough to transfer quickly to the iPad wirelessly.  After trying various JPEG sizes and quality settings I set my Nikon D300s to Medium sized (3216×2136) and Normal quality which would allow for an 8×10 inch print if the JPEG backup was needed.  I found that this JPEG size transferred to the iPad and displayed in less than 15 seconds via ShutterSnitch once it had found the iPad.  Since I am no longer saving RAW files to the SD card slot my size requirements have dramatically decreased.  The 8GB Eye-Fi Pro X2 will have more than enough space for a day of shooting 1,000+ photos and still transferring to the iPad.

This wireless transfer method is “jailbreak free” and you will have no issues with updating software for your iPad which you would if you were to “jailbreak” your iPad.  For more information regarding wireless transfer from your camera to iPad or to read an in depth review about ShutterSnitch check out Rob Galbraith’s site.  He has some good articles about transferring photos to the iPad.

Feel free to follow me on Twitter @asilins

Wedding photography: Be flexible

Had to share this story about staying flexible and keeping the wedding excitement going…

Last wedding of the season was on the 24th of October for Jody & Brad.  As my ritual, I imported all the images into my system that same night. Followed by starting the process of uploading the files to my off site backup for safe keeping.  Then, finally to bed by 2AM… long day.  The following day I started the process of culling through the images and marking all the ones I really loved.  That same afternoon I get a text:

Would u mind if brad and i stop by to just see one or two pics.
u can choose two. just want a sneak pick if thats ok.

If any of you have some kind of experience with wedding photography you’ll understand that with many photographers the couple waits one… two… three months before they get anything back from there wedding.  I’m totally against that practice. I try to at least have something to show within two weeks even if it’s just a quick preview.  Getting back to the text message that I received…  It’s less than 24 hours after the wedding. You can imagine what went through my mind when I saw that text message…  So after the quick scramble to figure out which photographs I wanted to do a final processing on I responded back with:  

Sure... what time?

Now don’t blame the bride for being anxious to see some photos.  I didn’t and won’t blame her for asking.  Most people can’t wait to see them and I love the fact that she was so eager to see them (48 hours would have been a bit better).  Now let me explain… Part of why I love wedding photography is the joy and excitement from the whole process.  I love when people see there photos, smile and say something like, “wow… it all happened so fast. I hardly remember some of this.  This is great!”  Having to wait months to see your wedding photos can ruin that excitement when it comes time to finally see them.  Think about it.  If you have to wait one… two… three months that excitement would fade and I don’t want to that to happen. 

Jody and Brad arrived a while later and I had about ten photos I had made ready for them to see.  They were so excited!  All Jody wanted to see is what she looked like from her wedding day because in two days they were off to there honeymoon for a week plus.  So in just a short ten minute visit she was able to see how beautiful she was and now had one less thing on her mind to worry about during her honeymoon.  And after all my rambling, the moral of the story is be flexible and try to provide the best service you can to any of your couples and clients.  Hopefully they will return the favor in kind with referrals and more business which is all anyone can ask for.  I  just as easily could have said no to her text message but that is not how I operate.  As always, Enjoy!   PS: Here’s one more photo from Jody and Brads wedding.